Sunday, December 27, 2009

Fix A Guitar Hero Receiver Ps3

Christmas. For Jotamario Arbelaez. Story.

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Christmas Alzheimer
Jotamario Arbeláez
December 23, 2009.
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NTC ... welcomes the author's permission to publish the complete story.
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As we are on Christmas Eve, and Sunday, and my family went to visit his mother, got with difficulty, because most of you miss the key of my cards, all cash at my disposal at banks and went looking for gifts for my wife and two youngsters. Choose a towering shopping center, whose name I can not remember where he could give me pleasure to have lunch first breaking the diet and then with a couple of gintonics, end reading The Birth of Tragedy , Nietzsche, just give me can not remember who.
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was looking for inspiration for starting my novel, hired by a English publisher, and will tell you the name, and focused on the memory of my family. Perhaps Planet. While examining the letter I saw that entered Balzac, as makeup by Titian, a lady of such as I'm noticing as I like her outfit, something like fifty years, in any event not later than fifty-five, very well carried. I have seen her dress at a fashion magazine on Fifth Avenue, or perhaps Soho?, With a diamond pantyhose translucent giving way to a Greek profile legs and the glimpse of a gold chain to the right ankle. It looked like a bank vice president.
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His eyes widened in surprise. After hesitating for a moment made a beeline for me and, with a smile in his eyes that he combined with the rest of the neutral face and the severity of his tone, he said, "hello Jotamario, I can sit? -. I hesitated a moment. Browse through this site so many of my female friends, many fellow college and university of my children and many friends impertinent. Must be a journalist, I thought, "Sure, it can. Something that paralyzed me prevented me getting up the reflex arc to bring you the seat. I stared so hard that I was imbued with eyelash. Came the waiter. I gave up lunch plan to offer something happened, maybe a drink in the belief that while women kept its charms, not the slightest interest motivated me to try a charm, strange, I admit, something I worked on the unconscious. "I'll go to the point, poet, what you with you? -. Language at all was a reporter. I tried to be polite, but clear. "I spend what I like, when I can eat. And I see that this is not the time. I felt his stupor accretion. The rictus of astonishment gave him three wrinkles on the forehead horizontal and two vertical small eyebrows, makeup ruin the effect. "I see you do not remember me. - Would there be any special reason to remember? -. He shook his head slowly to the east and west, as if to say no, miserably. "Unbelievable, do you follow the amnesia? I thought you were cured. The doctor said it was a type astereognosis temporary, resulting from the death of our daughter, but recovered memory.
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Although I was called by my nickname, I realized that the old woman was crazier than a goat, so I decided to nip it in the pit. "The Mrs. confuses me, I've never suffered from amnesia, I never had any daughter who had died. And it is the first time I have the pleasure to greet her pleasure that I be terminated because I hope someone else. - Does your new wife? -. - New? Took 20 years of living with a girl whom I both age distance that each year I feel younger. And in all that time I have been sparing in lift. Would ask for the bill but I noticed he had not asked anything. The waiter waited notebook in hand. - Would you drink causes? Not to sound rude and still have a few minutes. I was actually cat devoured me a drink. Maybe I was getting stress. "I'll take what we were taking forever to start. Margarita cocktail. Margarita cocktail hate me tongue room. I ordered one for her and for me Tankeray tonic.
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You do not know what I suffered from when you decided to leave me because they claimed they never even knew who he was after living ten years. Not really believed you, because you were always a simulator, if not a phony. Iris's death gave you in the head, the doctor said. Maybe you bought your opinion. I did not mean to continue, or insist, because you were turned into an entity. I knew that you enroll with a girl and there began your life, which I was turned off. I live in New York. I have a daughter 20 years, Samsara. Your spitting image. Came with me. We agreed to meet on this site. And see the grace or disgrace, I go and find you.
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The story was good, why, and the lady had the wrong goose. I decided to follow the rope. At the end of the day had all afternoon, had no financial limitation and Nietzsche's book could be expected. "I heard you published one volume with your anti-memoirs, which certainly did not mention me. You should hate me if you would remember. Cast me to blame for the death of the girl drowned in the swimming pool while I fornicate in the room with your worst enemy. I could not defend myself, I gave it to won, habérsete not run the tile would have killed me. Still, I managed to do me one last love, and atembado. I flew to steits. This is the first time I return. "And you can know why you came? -. -A treatment at Clinica Barraquer. Iris is blind.
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Gulp! He finished his drink in one go. - Blind since birth, and is called Iris? -. "To my most grievous fault I lost the first Iris, I lost you, and to recover your blood Samsara Iris recovers both. I swore I'd never see you again. Moreover, as I do not remember me is as if you were watching. - But is blind from birth? - I insisted. Her blindness is not genetic, but rather psychological. He introduced five years ago, when he saw your picture in my album and I asked who you were and you said you were his father.
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drank to the bottom of the glass. In reality, what had happened to me before I lived with my current wife? I never asked my gallant immediate past, which I fear was stormy. Friends tell me I belonged to the movement of which I Nadaísta-making part despite having narrowed to Christ, and I've read in anthologies everything I wrote in my youth. At the time, my full 69, without further deterioration in sight, every time I sit down to write poems I get them, which are rejected before the critics and now reward me in competitions. I forget some trivial things, where I left the money, where I hid the parrot, who owes me, whom I have an appointment tomorrow, how to call my dentist. Of artistic cocktails always go out with a lot of fun new friends. That if you know what site are, and what do the underlining of the seven 1700 books in my library. "If you do not take this wrong, can you remember your name? -. "Suffice it to Diana called me to tell you, and as such on your first attempt at novel, or what you remember, entitled forehead hair covered by -. The front covered with hair, of course, I've seen there in the boxes of files. And there may figure that Diana, a fictional character, if I remember correctly. The waiter, seeing that there was for the world, still brought round after round.
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do not know what happened to me, but I put my hand on his hand. She offered no more resistance than your diamond ring. "Like love enters the eye, as repeated Samsarita, refuses to have a boyfriend, and that to me me down. It has almost the same age I was when we started. Lay down a salt shaker. "Good luck," she whispered, throwing a pinch over your left shoulder. "Do the same thing," he said, and did the same, we laugh.
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In that moment I saw coming through the door Honorato, gate of heaven, a girl who could not be more beautiful than itself with a casual dress shirt of tulle and orange plaid skirt and ankle socks and sapodilla and blue canvas tennis and dark glasses that covered nearly half of the face, as Kubrich Stanley's Lolita. It also seemed to me an outfit Balthus. The driving of strong arm starch nurse providing security for that trip and came to us.
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Without even greet the nurse went to Diana and said that tests had given very promising results, the operation was scheduled for tomorrow in the morning, the surgeon would be supported by a psychologist, who was to take an advance of twenty million . Diana told him that right, not to worry to bring the hotel to Iris, that she had hired a taxi for hours, they would be in the clinic at 5 in the morning and greetings to Dr. Barraquer. I was introduced to Iris Samsara, and I felt I received in my hand my own hand and I smiled with my own teeth and my same voice he told me happy. Tall, slender, blue hair pulling, wet lips shiny, huequecillos cheeks. "He's a friend of many years, who had the misfortune of losing a daughter like me, but it seems that it also recovered. You want water? -. "Yes, Mom, I want water, but also want to see, I see the world, I want to see me, I want to see how I dress, I see, I see your friend who still does not know the name. "My name is Jack," I replied shyly, Jotamario. - Jotamario Arbeláez? I do not know why he is so familiar that name. Is it the same who founded the nothingness? Is the idol of my literature professor at Dalton School. His voice seemed drawn to individual listening to a chorus of archangels. I became more nervous than a sheet of pink. Property drank a glass of water while I felt I was drinking my life. "We must withdraw, poet friend, as understood by the emergency we are. I go to get the money early. Not much, but I lack the middle. I have a couple of kind friends who will be happy to help. Anyway we are in the Hotel Dann Carlton. And our telephone points in New York, if one day going over there. I noted in the book. "Wait, no way let you get the money as I imagine. Because maybe you were always so. And so you would be able to engage the child. Here are five million. The remaining five get to them tomorrow morning and I took them to the clinic. Would make a loan to a friend, saw around Vitatutas. "Thanks," I said getting the wad of bills, which kept readily in deep Cartier brand portfolio. "As generous as ever. Just for the girl you the receipt. I expect tomorrow. And he came to give me a shy kiss, but he understood I wanted to give it to me Iris. -Iris, Kiss the poet. And what was to be a filial kiss became passionate without meaning to me. To rub the corners and clashing their breasts and bellies, the contact occurred more shocking that I felt in my life, near collapse. The voltage should climb to the highest point. - Do you want to leave at home? -. "It's early to go home. I'll read a while The Birth of Tragedy. And they were. The girl in the arm for safety and the staggering gait of his mother.
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When I got home at night, I called my friend to entrust Ignacio Barraquer the young patient in the morning and say that would give a greeting. I asked the name to search the schedule and commitments shift. "Do not include any Iris, did not have another name? -. "Samsara". "Neither. "Let me find out. I called Dan Carlton Hotel and asked for Diana, could not remember the name. I replied that there was no Diana. Sure, if it was the real name of my novel. Neither was successful with airlines.
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not delay to get my wife and my children. I have to say I took five million dollars to buy their Christmas presents, but do not know where I put them. That took three hours looking for them. As has happened to me on another occasion, have to believe me.
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As for the gringo, I guess I could not wait to get the other five million. You may not withstand the emotional shock of the encounter the harrowing accident. Or maybe Samara suddenly regained his sight when Diana told him she had kissed the father, and going on the somatic. Perhaps at this moment are boarding the plane back, my long-suffering ex-lover and our beautiful daughter unhappy. When you go to visit New York. For now my problem is where I left the fucking book Nietzsche.
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The first part of three of this story was published in El Pais, Cali, December 22, 2009.
http://www.elpais.com.co/historico/dic222009/OPN/opi2.html
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With permission of the author, published and disseminated: NTC ... we encounter ...
http://ntcblog.blogspot.com/ , ntcgra@gmail.com . Cali, Colombia, December 23, 2009

Wednesday, December 16, 2009

Sony Dvd Player Dvp-sr200p How To Set Time

'The crab roll' by Oscar Ruiz Navia

Update January 14, 2010.
A crab
Berlin Berlin Film Festival, Berlinale, scheduled from 11 to 21 February 2010
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and El Espectador, Bogotá (text and video-news):
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and El Tiempo, Bogotá:
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Updated to December 27, 2009
For Hoyos Santiago Cruz, GAZETTE, El Pais, Cali, December 1927 , 2009
http://santiagocruzhoyos.blogspot.com/2010/01/la-vuelta-al-mundo-de-un-cangrejo.html
sending thank the author of the link.
...

---- Film "festival or film festival?
This year the national cinema across the map to be in international events that celebrate the world in images. Hugo Chaparro Valderrama


VIEWER VIEWER. Com Culture December 21, 2009 - 9:16 pm Print, December 22, 2009. Film to read http://www.elespectador.com/impreso/articuloimpreso178610-cine-de-festival-o-el-festival-del-cine
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http://picasaweb.google.com/ntcgra/NTCIMAGENES # 5418199297725837394 images. Oscar Ruiz Navia won the Special Jury Prize at the Festival del Nuevo Cine Latinoamericano de La Habana his film 'Flight of the crab' , http://www.elvuelcodelcangrejo.com/ . Publish and disseminate

: NTC ... we ran ...
http://ntcblog.blogspot.com/ , ntcgra@gmail.com . Cali, Colombia, December 22, 2009

The passionate relationship between the case of the Colombian film festivals and began to feature films in 1958, when the miracle of salt (Moya Sarmiento) was presented in San Sebastian. The English critics said then that the modest intentions of the film had won the sympathy of the audience. The public accept patronizing expressed in terms the plight of miners export made social melodrama on the screen. All this despite the fact that the Ministry of Communications disliked the movie, "not served the tourism or propaganda." Syndrome, then the image was good excuse to make the country a paradise on earth who dress up their hell.

This year continued the journey of Colombian film Festivals: The Wind Journeys (War), the crab roll (Ruiz Navia) and Blood and rain (Navas) crossed the map to Cannes, Toronto, Venice, Mannheim, Thessaloniki and London. A recent repertoire translates the domestic landscape of the dream images and then shot by a generation that starts and has been fortunate to be accepted by the curators of different and distant events. Patriotic fervor was evident-perhaps inordinate anxiety to break the spell of being always on the sidelines of the party. Also, the suspicion of nationalism which denies the creative risks of a film considered-by those who do not go to cinema-like chronic disabled.

helped a coincidence: the interest from festivals to investigate about the "minor cinema" from countries with growing strength, Romania, Philippines, Colombia, in contrast to the frequent megahits established industries.

A movie filmed in the opposite of scarcity and prejudice, which startles the good consciences and warned of unrest that close, which supports the nightmare of violence or attempts to escape the weight of murder as a tragedy often without deny the reality that fosters the tone of their stories. The director

interested in renewing their findings of a festival prize is a consecration transient. A challenging strategy to position itself on the map and realize that not everything has been in vain. Useful to get producers to sell the movie or just show and hear the trial of a viewer beyond the local references includes a history and welcomes or rejects. The film-and by extension the art interested in reinventing himself has defined the time course when memory supports a movie with the same enthusiasm that inspired its release.

Concern about the number of spectators at the box office, by the anguish of the Director before the empty theater, is balanced by another uncertainty: the afterlife, in geographical terms there and suggests the possibility of other areas for display. Although the market is fickle. But before the echo of a movie that is born and dies as a news event in Colombia, which requires a formal criticism rather than entertainment, it is preferable to travel to festivals, appearing before a discerning public, before a ruthless jury or in a sample as vast that seduction is difficult but not impossible when the catalog is thick. A certified solution for documentaries such as Bagatelle (Caballero Ramos, 2008), A Paper Tiger (Ospina, 2007) or heart (Garcia, 2006), with good fortune in the festivals of the world by the strength of a genus of skills and findings different those who decide the fate of fiction in Colombia.

Still, developers who gathered at the Guadalajara Film Festival for The Wind Journeys, the question and answer session he had in Toronto The crab roll, the display at the Thessaloniki Olympion Theatre of Blood and rain are eloquent to emphasize the importance of another public hearing before a movie begins to travel back and you can check and the material of your dreams. +++++

· * MORE ABOUT "THE CRAB ROLL"
http://agenda.universia.net.co/otras/2009/10/29/proyeccion-especial-del-trailer -of-the-tip-of-crab-in-the-festival-de-cinema-de-cali
http://www.ficv.cl/f16/index.php?option=com_jmovies&Itemid=99&task=detail&id=1&lang=es Video
relative. "Brain" Monologue. Http://www.youtube.com/watch?v=uHZnpxnr66A
Locarno Promo-Reel, http://www.contraviafilms.com/videos/vuelco_del_cangrejo.htm
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http:// tiff.net / filmsandschedules / films / crabtrap
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Those wishing more information on The Twist Crab Gerylee Polanco can communicate with the cellular 316 536 0255 or your director Oscar Ruiz Navia at 311 372 7657. Similarly, can write emails and contraviafilms@gmail.com jaime@blackvelvetlab.com or visit the virtual pages and http://www.contraviafilms.com/ http://www.elvuelcodelcangrejo.com/ . Fernando Pérez.
http://www.festivaldecinecali.gov.co/index.php?option=com_content&view=article&id=405:se-estreno-el-trailer-de-la-pelicula-calena-el-vuelco- the-crab-& catid = 36: news & Itemid = 80

Tuesday, November 17, 2009

Cheat - Codigos Pokemon Shiny Gold

WRITTEN IN BLACK INK. Tribute Who are the protagonists of African literature in Colombia? Drafts

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BLACK

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Who are the protagonists of African literature in Colombia? Few know . Review by the authors who left the Coast to sail over the letters.

GAZETTE, THE COUNTRY. November 8, 2009. Pp. 18 and 19
Scanned NTC ... . -1956 Photography - the "foal to sail", in Buenaventura Bay, is Robert West . NTC ... She is grateful for him and the U. the Andes. (Click on image to enlarge. Click on "Back" on the toolbar to return to here) ------

GAZETTE, page 18 (Click on images to enlarge them and make them readable. Click in "Back" on the toolbar to return to here)


Oscar Collazos Oscar Collazos
knows what it means to be a representative of the letters of the Pacific: born in Bahía Solano, Chocó, and much of his youth was spent between Buenaventura and Cali.
also knows what is to become a writer despite the adversity. Years ago, standing before a group of young people of Siloam, he confessed: "The greatest achievement of my life is that I become a writer to be poor. In my house there were no books, only similarity was the Reader's Digest and Popular Mechanics. I spent my childhood without reading. "
None of this is evident in his prolific literary work. Author of more than 25 novels, essays, short stories and biographies, at 67 years is considered one of the pioneers of the urban novel that was made to literature in the 70's. Among his books are weighted 'Chronicle of a mirror dead, "Goodbye to the Virgin', 'The murdered model' and 'Battle on Mount Venus", one of his most recent. (More information on the CVI: (Go) http://dintev.univalle.edu.co/cvisaacs/collazos/oscar_collazos.htm )
- ALFREDO VANINA

Born in 1950 to Saija the river that bathes the town of Timbiquí in Cauca. Writer, journalist, researcher and teacher, but above all a poet, at age 14 began writing his work with 'live Claiming' (1967).
With the sea as the setting for many of his lyrics, much of the value of the work of Vanin is based on his complex worldview as African-American, Hispanic and indigenous at the same time. Hence, his poems are peppered with stories of fishermen, mermaids, cliffs and gold prospectors. And his spirit as an intellectual is turned to the rescue of the African roots of the Colombian and the orality of coastal towns.
In his 40-year literary career and influenced further their studies so-ber Greek mythology, has published the li-bros 'Claiming live', 'Cimarron in the Rain' and 'Islario'. He also edited the book 'Another wreck for July. " (More information on the CVI: (Go) , http://dintev.univalle.edu.co/cvisaacs/index.php?option=com_content&task=view&id=434&Itemid=5 )
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MEDARDO ARIAS
lines of his stories and poems are woven around themes rather different: the sea breeze lulls his native Buenaventura, the history of West Indian music or worship that American surrender him to death.
From this last speech of the weighted novels Satizabal Medardo Arias, 'That is a breath of life', which reconstructs, and not for music but for the enjoyment of literature, life and death of the mythical tango singer Carlos Cardel. The story not only dragged readers also was a finalist for the Premio Nacional de Novela de Colombia, 1998.
Already in 1993, Arias was allowed to see their literary qualities with 'Jazz for the dead', a novel which was shortlisted from 483 throughout the southern cone of Latin American Fiction Prize Pegasus. This son of Puerto
has also racked with success on the paths of short stories and poetry: "This laughter is not crazy '(National Short Story Prize Bogotá),' From the host and the bulb, the Pacific in prose ',' noise Nuts '(National Poetry Prize Luis Carlos Lopez) and' Light navigation '. ( His blog: http://medardoarias.blogspot.com/ .- NTC More information ... : http://ntc-eventos.blogspot.com/2008/09/blog-post . html and http://ntcpoesia.blogspot.com/2008_09_12_archive.html ) +++++

Rogerio Velásquez
Sipí Murillo, Chocó, 1908. Public
in 1953 'Memories of hatred, inspired in the life of Manuel Santurio Valencia, Choco reaching important political positions. The book reflects on racism in Colombia.
. Martan Helcias

Guapi Góngora, 1920. -
April 17, 1984, Cali.
'The poet of the sea' was a member of the Colombian Academy of Language. His poems reflect the social distress of its people. The sea is the backbone of his poetic inspiration. He died in Cali in 1984 (More information on the CVI: (Go) , http://dintev.univalle.edu.co/cvisaacs/martan/index.htm )

News and Update (Nov. 26 , 2009) by NTC ... : In the event New Publications FERIVA # 57, Thursday 26 November 2009, at 7:00 pm, three new books Prent Poet: The Ministry of Culture and Tourism of Cali and Printer Feriva Proudly SA invite the submission of the books: Songs and Gardens, La Piel and The Book of Good Love of Góngora Martan Helcias / Information: Tel 661 7543 Cali. Details of the books in http://picasaweb.google.com/ntcgra/NTCIMAGENES # 5408418418243885938 . Auditorium 309 (Madera Room), Centro Cultural de Cali, Carrera 5 # 6-05, separate free glass of wine and raffle books.
. Payan
William Archer
Tumaco, 1921. Recognized
intellectual Payan, a lawyer, has excelled in the literary scene by deep poetry, much of it inspired by the social conflicts of the Pacific coast.
- Hugo Salazar

Condoto Valdés, Chocó, 1926.
is considered a practitioner par excellence of black poetry. Published 'Salt Rain', 'Coals in the dawn', 'Almost the light', 'The country called', 'The hero sung' and 'love poem'. +++++

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GAZETTE page 19 (Click on images to enlarge them and make them readable. Click on "Back" on the toolbar to return to here)
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ANIBAL ARIAS
Born in BBQ, Nariño, Aníbal Arias is one of the most prominent pens poetry Pacific coast. As a child, trapped by the stories and fables of Rafael Pombo, soon felt the call of today's literature and complete five books of poetry: 'Fish witches',' Data ',' Reasons beyond the control ',' not yet Events registered 'and' Ana loves the leak. "
Now you're cooking a large anthology of what he calls poetry "urban slang that I talk to readers."
And much of this work was written during the 35 years he has served as librarian at the Universidad Santiago de Cali, "the aspect of my life that most reflects my view of the world, almost as broad as the subjects and students who consult me. "
Of all his literary work, 'Fish witches' is the book containing his nostalgia on the Pacific Ocean that left a young age to study in Cali. (NTC More information ... : http://peldanosdearena.blogspot.com/2006_10_24_peldanosdearena_archive.html )

LU AMALIA POSSO
In the monologues that she wrote and acts worships black nannies and shawm that rocked the River Atrato. AmaliaLú
Posso Figueroa, born in Choco, offers in his work "an eroticism without the guilt of Christianity", as highlighted by Daria Henao, director of the Faculty of Humanities at the Universidad del Valle.
In fact, "See see, my black nano, condensing his most erotic and joyful stories, the consolidated as an extraordinary storyteller who has racked by the letters at the same time as a psychologist, university lecturer and storyteller. Hence, the Academy ponder his work for rescue oral tradition of the Choco.
His story 'Honoria Lozano, which had set the pace in' was included in an anthology of Colombian literature published by the Fondo de Cultura Economica. ARNOLDO

PALACIOS
At 84 years, this man born in Cértegui, Chocó, has many stories to tell, but none so unique as this: his first novel was burned in whole, in the violent events of 9 April 48, so had to rewrite it in less than a month without imagining that eventually would become one of the greatest successes of African literature in Colombia: 'The stars are black', a novel testimony. Influence
in some way by the social upheavals of the 60 who sought respect for fundamental rights, the legacy of Palacios is important as it has served as a forum for vindication of society, especially the African world.
After trying, unsuccessfully, to study law, he sought refuge in Paris, the city has served as an accomplice in his writing: 'The jungle and rain', 'The duende and guitar: Legends Choco', 'Panorama black literature '(published in Italian and French) and ' Looking for my madrededios' * , his greatest gift to the lyrics of the Coast. (More information on the CVI: (lr) , http://dintev.univalle.edu.co/cvisaacs/index.php?option=com_content&task=view&id=912&Itemid=5 . - * NTC More information ... on this lbro and author, see: http://tarabitares-y-divaneos.blogspot.com/2009_10_22_archive.html and http://tarabitares-y-divaneos.blogspot.com/2009_10_13_archive.html ) ------


Enrique Cabezas Rehr
Guapi, 1941.
His work revolves around his life in the Pacific, especially in Buenaventura. In his novels exploring the erotic without a moral vision. Most notably, his book 'Heaven and watch your cute 'm relieved. " Fable

Arias, 'Farias'
BBQ, 1950.
His life has been spent in Cali as a teacher and journalist. His vast body of work earned him the National Prize for Poetry in 1970. "Bat Tower" and "Boulevard of a dream," his books.

Carlos Arturo Barter
Buenaventura.
is known for being a great storyteller of the port. Thanks to the Universidad del Valle published his only book "Long live the comrades'. His daughters, Sonia and Colombia, writers have picked up their literary heritage.
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To expand on literary authors and Pacific works refer to the Virtual Center Jorge Isaacs of the University del Valle: http://dintev.univalle.edu.co/cvisaacs/
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NTC News ... and LINKS:
*** More information about some of the poets named and others in the valley, see:
Poetics of the disaster. Critical approach to the poetry of Valle del Cauca in the twentieth century. For Julián Malatesta, http://jumala-ntc.blogspot.com/ . Joint Fund for the Promotion of Culture and Arts of the Valle del Cauca. Reprinted by the Publishing Program of the Universidad del Valle in 2003. Read , http://dintev.univalle.edu.co/cvisaacs/index.php?option=com_content&task=category§ionid=10&id=20&Itemid=70
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updated: NTC ... / degrees. November 17, 2009, 6:32 PM

Saturday, November 14, 2009

White Discharge Instead Of Periods



November 1914

Tuesday, October 20, 2009

Poptropica Point Generator

November 14 International Symposium Jorge Isaacs, the 5th version .. "The independence."

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Jorge Isaacs
International Symposium on the 5th version .. "The independence"

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opening day, October 19, 2009. 2:30 PM to 8:30 PM
NTC records ...
(Click on images to enlarge. Click "Back" on the toolbar to return to here)
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Mesa inaugural Kronfly Fernando Cruz, Orlando Mejía Rivera, Dario Henao Restrepo and Julian Malatesta. Hear the National Anthem played with Marimba as a tribute to the Colombian Pacific.
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On Monday October 19 at 2:30 pm was given opening the 5th International Symposium Jorge Isaac , http://jorgeisaacs.univalle.edu.co/ . Valley University will open its doors to the community to participate in this conference, which becomes an opportunity to explore the thinking of individuals dedicated to research, especially in the field of 'The independence' theme of the Symposium.

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At 3:00 pm, opening ceremony was scheduled as a discussion with the writer Fernando Cruz Kronfly ** about his book `The Ash Liberator ' , as presentation was by Orlando Mejía . The book explores the drama of Simón Bolívar, and shows excerpts from the life of freedom they have been neglected by history. This novel deals with the man after the victory and glory died in defeat, and left alone, mumbling to himself the impossibility of romantic utopia.

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At 4:00 pm opened the first panel discussion entitled 'Republic, Territory and National projects', which was attended by Jaime de Almeida, a researcher at the University of Brasilia; and Germain Patiño, a researcher and lecturer attached to the University of Westminster.
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At 5:30, Center presentation Issacs and virtual hosting virtual book `The Unhappy 'by Ignacio Torres Giraldo.

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Finally at 6:00 pm held 'Around the block: Memoirs of Cali' presents Alvaro Suescún. Reading of texts by writers Carmiña Navia, Fernando Cruz Kronfly ; José Zuleta ; Omar Ortiz Forero, Julian Malatesta, Fabio Martínez, Hernando Urriago and Kevin Alexis Garcia. +++++
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GALLERY PHOTOGRAPHIC IMAGES AND ,
see:
There a one or slides. +++++
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Information Fair and Symposium:
* Matrix: BOOK FAIR PACIFIC XV, http://ferialibropacifico.univalle.edu.co/ and http://jorgeisaacs.univalle.edu. co / (in these pages all the information and program of the fair and Symposium. (And record some events and made)

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Liberator 'The Ash' presentation: Orlando Mejía .
Conversation with the writer Fernando Cruz Kronfly **

face of the new edition of the novel. Editorial Universidad de Caldas, 2008. (14.2 x 21.5 x 2.8 cm. 448 pages. Sewn in booklet) Includes Critical Study of Orlando Mejía Rivera. (Click on images to enlarge. Click on "Back" on the bar return to here)

Text on back cover of the book: "The ash is a deliverer of literature-novel art works to be enjoyed in silence and with the senses alert. I read in the last twenty years, four Sometimes the novel that the reader of this edition is going to know or perhaps reread. With each reading, new dialogues mental and textual and contextual references have appeared. I am sure that future new readings lead me to new partnerships and ways of interpretation. The ash Liberator is an agile and elusive fish every time you surface shows other perspectives and reveals new colors. " (Critical Study)
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VIDEO: International Symposium Jorge Isaacs, the 5th version .. Speaker: Orlando Mejía. 1:44 min. Read excerpt from his critical study "The ashes of the Liberator," published in the book.
http://www.youtube.com/user/ntcvideo # p/a/u/0/RJj82TWAFjg
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books on Google Book: There Critical Study complete and many of the chapters of the novel, see:
The book: http://www.lalibreriadelau.com/catalog/product_info.php/products_id/13052 , there are details and can be purchased online .
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VIDEO (frag.): International Symposium Jorge Isaacs, the 5th version .. Speaker: Fernando Cruz Kronfly.
http://www.youtube.com/watch?v=pTphV5p0tO0
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NTC News ... About FCK and his works:
-> http : / / ntcblog.blogspot.com/2006/04/ntc-224-abril-8-2006-fernando-cruz.html much there of poems published in the Liberator 'Ashes' , and information about FCK and their works.
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First panel discussion entitled 'Republic, Territory and National projects. " Participation
Jaime de Almeida, Researcher University of Brasilia, and Germain Patiño, researchers and teachers affiliated with the University of Westminster.
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Jaime de Almeida *, ** Germain Patiño and Dario Restrepo Henao.

* Conference: "Santa fought and independence." ** Conference: "John Runnel and caste armies Cauca River Valley."
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About: Santa Librada, see: http://www.omni-bus.com/n21/brasil2.html / / / Images http://www.flickr.com/ photos/12532477 @ N04/1645230288

/ / / / http://www.citytv.com.co/videos/15826/santa-librada-la-patrona-del-grito-de-independencia / / / http:// ntc-eventos.blogspot.com/2009/07/colegio-santa-librada-cali-bachilleres.html

PATIÑO GERMAN: VIDEO: International Symposium Jorge Isaacs, the 5th version .. Speakers: Hermann Patiño. 3:09 min. Fragment. Http://www.youtube.com/watch?v=Y4V_kUU0TMw
AUDIO full intervention (32:30 min): http://www.ziddu.com/download/7000003/002_B_003_micro.mp3 . html

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. Presentation
VIRTUAL CENTER ISAACS http://dintev.univalle.edu.co/cvisaacs/ and Ignacio Torres Giraldo page and the first volume (of 5) of book ` The protesters 'virtual edition.
VIEW: Ignacio Torres Giraldo , http://dintev.univalle.edu.co/cvisaacs/index.php?option=com_content&task=view&id=910&Itemid=200 , there : Biography / Work / The protesters *
· * 20inconformes http://dintev.univalle.edu.co/cvisaacs/images/stories/ignacio_torres/los% 20vol% 201% -% 201974.pdf

(Click on images to enlarge. Click on "Back" on the toolbar to return to here)
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Nieto de Torres Giraldo, Jairo Professor Henry Arroyo and Kevin Alexis Garcia

Center Video presentation: http://www.youtube.com/watch?v=jRQFOFsFSto

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'Around the block: Memoirs of Cali', Presentacipon the project
Alvaro Suescún and books by writers Carmiña Navia, Fernando Cruz Kronfly ; José Zuleta ; Omar Ortiz Forero, Julian Malatesta, Fabio Martínez, Hernando Urriago and Kevin Alexis Garcia .
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(Click on images to enlarge. Click on "Back" on the toolbar to return to here)

writers José Zuleta, Hernando Urriago, Navia Carmiña ; Suescún Alvaro (Presenter), Fabio Martínez, Fernando Cruz Kronfly; Kevin Alexis Garcia, Malatesta Julian and Omar Ortiz Forero.

VIDEO: Alvaro Suescún Intervention (Frag.): http://www.youtube.com/watch?v=y_6Gba3-OE

reading passages (in reading order) VIDEOS: Cruz
Kronfly: http://www.youtube.com/watch?v=E4hUXTdjblo

Carmiña Navia: http://www.youtube.com/watch?v=eK-21pI6-8U

Julián Malatesta

: http://www.youtube.com/watch?v=BfVPB1a6qgM

Omar Ortiz: http://www.youtube.com/watch?v=BfVPB1a6qgM Hernando

Urriago: http://www.youtube.com/watch?v=94eOGx9yfvk

José Zuleta: http://www.youtube.com/watch?v=qoyUYaEdMiU

Fabio Martínez: http://www.youtube.com/watch?v=H3drcXw8FFA

Kevin Alexis Garcia: http://www.youtube.com/watch?v=A2lk0EqgY0Q

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Photo-video of writers taking part:
http://www.youtube.com/watch?v=4lrg8JDUGTo
http://www.youtube.com / watch? v = IlkuSMUi_Cs

.... Soon the others .... videos and audios. +++++++++




AUDITORIUM (Click on images to enlarge. Click on "Back" on the toolbar to return to here)

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updated: NTC ... / degrees. October 20, 2009, 24:51












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Wednesday, September 23, 2009

Funny Unique Save The Date Wedding Ideas

Literature and Entertainment. Roundtable. XIV F-Idea, Cali.

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-blog Portal complementary NTC ...
ntcgra@gmail.com Cali, Colombia.
And those related to: View my complete profile

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Literature and Entertainment
Roundtable.

Participants: Marianne Ponsford and William Ospina

Moderator: José Zuleta
September 20, 2009. Domingo. 5:30 PM. Departmental Library

- "Statuette of the Festival logo.
inverted colors. EVENT


Marianne Ponsford, William Ospina and José Zuleta (Chair)

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EVENT PHOTO ALBUM:
Liiteratura or Entertainment. Round room. XIV Festival Internacional de Arte de Cali. (<-Click) http://picasaweb.google.com/ntcgra/LiiteraturaOEntretenimientoSalaRedondaXIVFestivalInternacionalDeArteDeCali #
There you can see one by one or in slideshow.
Photography and recordings: María Isabel Homes NTC ...
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Video and Audio: Audio
: Literature and Entertainment. Roundtable. Marianne Ponsford and William Ospina. 1hr +20 min. Sept. 20, 2009.
http://www.ziddu.com/download/6656490/001_A_001_micro.mp3.html

Videos:

William Ospina Marianne Ponsford and start the table
http://www. youtube.com / watch? v = GApTVRDzELw

William Ospina involved I
http://www.youtube.com/watch?v=Lq9-L7epbMo
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POINTS AND RELATED MATTERS REFERRED or:
*** Ponsford journalist, director of ARCADIA, discussed, among many other approaches to the following texts and documents:
1 .- vs spectacular scandals. true art , http://www.revistaarcadia.com/ediciones/48/arte.html . A text of his published in the Journal Arcadia No. 48 of September, 2009. We reproduce below full because we believe it contains many of the ideas and points discussed in their interventions. Featuring:

"... Without such personal grandstanding, embodied, the media can not live. And apparently, the artist either. And all these, where is the art? Here at least it is not. In the world of art, metaphor, allegory, subtlety, emotion and depth conceptual remain critical. are its pillars. (Just think of the deep and silent pain radiating chairs spreading all over the walls Palace of Justice in the work of Doris Salcedo.) ... "-----

2 .-" In Praise of difficulty "of Estanislao Zuleta. Text recommended reading or re-read. (Full text at: In Praise of the difficulty
http://medicina.udea.edu.co/SYS/paginaweb/Documentos% 20001/Elogiodificultad.doc or http://www.elabedul.net/ Articles / el_elogio_de_la_dificultad.php

----- 3 .- The interview with the philosopher Carlos B. Gutiérrez in El Espectador, September 20, 2009. ( criticizes the thought of President Alvaro Uribe and the Colombian commonplace. "We must cultivate both dissent rather than consensus" . By: Miguel Silva / Special to The Spectator
http://www.elespectador.com/impreso/filosofia/articuloimpreso162278-debemos-cultivar-el-disenso-lugar-de-tanto-consenso ).
+ + + + Two events

vs spectacular scandals. true art

The performance of the Cuban Tania Bruguera, which distributed cocaine, received a disproportionate media attention. But is this art or folly? What is art today? It was enough to get away fifty yards from the place of performance and enter the museum of the same National University of Bogota to dazzling with the response.

Marianne Ponsford * Journalist
Bogotá. ARCADIA Magazine, No. 48, September 2009.
http://www.revistaarcadia.com/ediciones/48/arte.html (There videos)


The Hemispheric Institute of Performance and Politics is a consortium based in New York University . Its slogan reads: "Working at the intersection of academia, artistic practices and political life in the Americas." The institute is a kind of laboratory research on the performance practice of contemporary art called, which basically means an artistic creation in which the artist works with his own body. It has something to do with a play but it is not. His intention is to arouse public awareness about a particular topic. And this issue has been, for decades, political. Hence the name of the institute include the words "performance" and "political." Twenty universities across the continent are associated with this institute through its faculties of arts or humanities. Since 2000, this Institute conducted in association with some of these universities, a meeting which includes lectures and performances. The first was in Rio de Janeiro, and then came Monterrey, Lima, New York, Belo Horizonte and Buenos Aires. In 2009 was the turn of Bogotá. Your partner in Colombia's National University. The title of the meeting is long and tangled, as has been mentioned above: "Staging Citizenship: entry and exit of cultural rights." Performances called acts do not exist without the public. Unlike a work of art, a video or a book, your time is all real time, and even the artists themselves tend to record their performances for posterity, perhaps an uncomfortable contradiction in these cases, the work of art happens and is unrepeatable.


While not all performances are political reporting (they were not the most beautiful performances of the late artist Maria Teresa Hincapie), undoubtedly the best known performance artists are those who work politics. Mix protest scandal need, and can include damage to the public as a means for allegedly shaking consciences. Desperately needs media attention. Without the controversy generated by the headlines, these artists often feel that their work has not "worked." In the past, this could ever have any interest. But in today's societies, in which traditional media are steeped in the most serious crisis in its history, and also desperately need to sell themselves (in the media always talk about "selling security holders"), such political performance that just wants to shock, achieves nothing more than banal itself be used by the media that they believe they are using. Everything becomes a carousel of stupidity. The uproar over the scandal. The perfect headline: "Artist of the vagina is sewn," "man cuts a finger in public," "woman eats excrement." The assumption artist and the media each and are used on the same side of the coin. On the other hand, there is only emptiness. In the case of Tania Bruguera's performance as mentioned by the media (an alleged former paramilitary, a former guerrilla and a displaced talk as an assistant to the artist dealt cocaine) she wanted to give voice to the actors and victims of the conflict and put evidence that cocaine use is linked to the conflict. A very Uribe, of course, questioning the morality of consumption. What made Bruguera was a ceremony much about politics and nothing about art, served as a policy. He skipped the law, committed an abuse of power by providing cocaine from the legitimacy given his reputation as both the space and the work, which allegedly suspended reality, and to top it off, after the scandal, has won itself the position of "misunderstood victim" that supposedly belonged to at least some of the actors in the conflict.

Without such personal grandstanding, embodied, the media can not live. And apparently, the artist either. And all these, where is the art? Here at least is not. In the world of art, metaphor, allegory, subtlety, emotion and depth conceptual remain critical. Are its pillars. (Just think of the deep and silent pain radiating chairs that littered the walls of the Palace of Justice in the work of Doris Salcedo.) At the same University, a few meters of space that took out these vacuous performances, and disap-ceived for all media (except the brilliant article by journalist Dominique Rodriguez in the magazine Cambio and the unforgivable failure of a website supposedly devoted to the art world, Sphere public, which in turn has given itself a huge deployment to the debate on Bruguera), opened on Thursday September 10 exposure of the other memory. It is an extraordinary exhibition and difficult. Requires at least three hours by the viewer, and there is absolutely nothing there that deserves a headline attraction, because works of art gathered there are impossible to trivialize. The exhibition includes six artists, all Europeans. The Polish Krystof Wodiczko has six short videos of their work. Ie, has no work but the visual documents of six of them. And is not presented because Wodiczko does not work for museums or galleries. Their job is to show giant video images on the facades of public buildings with content-laden images that yes, truly symbolic and political. In one, the image disproportionately large hands gesturing to a woman who speaks (and whose face does not see) is projected onto the facade of peace monument in Hiroshima, right on the edge of the river water that flows through the city . Impossible to think of the book Hiroshima, by journalist John Hersey, that Gabriel García Márquez is the best book on journalism in the twentieth century.
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In it, Hersey tells how the pump burned his body wandering shreds and thrown into the river thinking that this would ease the terrible burning of his wounds, but all he did was die faster due to contact of the meat open with water also loaded radioactivity. Wodiczko speakers images are beautiful and touching and deep, able to subvert the meaning of public spaces. And, most important, question our prejudices, our narrative of history, and the dehumanization of our time. Our increasingly dramatic ignorance of the other. Art you can not ask for more. Hannah Collins is British. The work exposed here is a 56-minute video, called Current History. In the room where the video is projected, have been a few puffs to view comfortably. Collins spent fourteen days of filming in the middle of cold winter in a remote village called Beshencevo, near the city Russian Novgorod, and both places are the main scenes of the video. This is perhaps the most beautiful work of the exhibition, and all students of photography and visual arts should see it. Of course, it is not a traditional narrative. It is neither a documentary or a movie. It is a work of art. One could almost believe that Collins first thing he did was to select a delicate palette of colors: white iridescent unrelenting winter, the strange metallic gray and dilapidated infrastructure mega Soviet production, and the dull brown of winter clothing and Drinking bare of trees. There is a light, sweet poetic melancholy in this testimony of obsolescence, abandonment, and survival of a community that has been suspended in a timeless time, neither Soviet nor global, not picturesque or modern. And through it all, the lives of those others who can not forget themselves. The Neapolitan artist Francesco Jodice is an architect. His work in the exhibition is called Secret Footprints, and is a reflection of how city dwellers interact with it in their daily lives. Jodice is a philosopher of urbanism. In this exceptional museum hall, nine huge screens, placed at an angle, so that none is directly opposite another, simultaneously passed in hundreds of photographs of going from one place to another, presumably from home to office- nine people in cities around the world: Kitakyushu, Tarragona, Bologna, Ostend, Perth, Naples, Buenos Aires, New York and Milan.

The camera follows each person from behind, as a diligent and professional spy (but this track has been previously agreed between the photographed subject and artist. The only thing the person does not know is when will the photos). The first thing that comes to mind are the words of Nobel Orham Pamuk: "The other is me." Displaying the cascade of images, one has to wonder anonymity that severe compared to other role inevitably Narcissus self. Or the reverse: how we are that anonymous person, that other invisible to those who look from behind our daily routine. Antoni Muntadas both English and Rogelio López Cuenca Ursula Biemann Swiss set their sights on the Arab world, from the door so annoying to Europe is Tangier, to the refugee camps of the Palestinians. The set in the aftermath of 11 September. Without doubt, the writing of the late Palestinian intellectual Edward Said Egypt is present here, and carried more loose ends. All the clichés that make up our collective imagination about the Middle East and the Arab world were drawn to the edge of caricature after September 11 by the administration Bush. Once exhausted the rhetoric of the war on drugs, war on terror was an effective replacement for stoking a fear that gives votes. Exactly as in Colombia, once exhausted the discourse on the FARC (eight years is tiring), we reconstruct the speech the same fear about Chavez's Venezuela. Build new enemies needed to promote dangerously populist idea of \u200b\u200bnation. * Because you tell me where is the idiot Tania Bruguera's performance against the real art. The memory of the other, which was curated by the very prestigious Anna Maria Guash Catalan theory, puts his finger in the wound of the problems of modernity, a modernity in which Colombia itself is inserted, but do not acknowledge those who advocate an isolationist and parochial view. These six artists are a clear example of an art that does know a politician in the era of globalization, and proposes to rescue the man, pick it symbolically. For us, we are also others, can have different readings, alternate, opposite the discourses of power. That look sober, compassionate and loving, full of beauty on the other, can become one of the fairest ways in the necessary path to reconciliation.

"The trickle continues ..."
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updated: NTC ... / degrees. September 24, 2009, 9:18 a.m.