Wednesday, December 16, 2009

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'The crab roll' by Oscar Ruiz Navia

Update January 14, 2010.
A crab
Berlin Berlin Film Festival, Berlinale, scheduled from 11 to 21 February 2010
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and El Espectador, Bogotá (text and video-news):
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and El Tiempo, Bogotá:
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Updated to December 27, 2009
For Hoyos Santiago Cruz, GAZETTE, El Pais, Cali, December 1927 , 2009
http://santiagocruzhoyos.blogspot.com/2010/01/la-vuelta-al-mundo-de-un-cangrejo.html
sending thank the author of the link.
...

---- Film "festival or film festival?
This year the national cinema across the map to be in international events that celebrate the world in images. Hugo Chaparro Valderrama


VIEWER VIEWER. Com Culture December 21, 2009 - 9:16 pm Print, December 22, 2009. Film to read http://www.elespectador.com/impreso/articuloimpreso178610-cine-de-festival-o-el-festival-del-cine
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http://picasaweb.google.com/ntcgra/NTCIMAGENES # 5418199297725837394 images. Oscar Ruiz Navia won the Special Jury Prize at the Festival del Nuevo Cine Latinoamericano de La Habana his film 'Flight of the crab' , http://www.elvuelcodelcangrejo.com/ . Publish and disseminate

: NTC ... we ran ...
http://ntcblog.blogspot.com/ , ntcgra@gmail.com . Cali, Colombia, December 22, 2009

The passionate relationship between the case of the Colombian film festivals and began to feature films in 1958, when the miracle of salt (Moya Sarmiento) was presented in San Sebastian. The English critics said then that the modest intentions of the film had won the sympathy of the audience. The public accept patronizing expressed in terms the plight of miners export made social melodrama on the screen. All this despite the fact that the Ministry of Communications disliked the movie, "not served the tourism or propaganda." Syndrome, then the image was good excuse to make the country a paradise on earth who dress up their hell.

This year continued the journey of Colombian film Festivals: The Wind Journeys (War), the crab roll (Ruiz Navia) and Blood and rain (Navas) crossed the map to Cannes, Toronto, Venice, Mannheim, Thessaloniki and London. A recent repertoire translates the domestic landscape of the dream images and then shot by a generation that starts and has been fortunate to be accepted by the curators of different and distant events. Patriotic fervor was evident-perhaps inordinate anxiety to break the spell of being always on the sidelines of the party. Also, the suspicion of nationalism which denies the creative risks of a film considered-by those who do not go to cinema-like chronic disabled.

helped a coincidence: the interest from festivals to investigate about the "minor cinema" from countries with growing strength, Romania, Philippines, Colombia, in contrast to the frequent megahits established industries.

A movie filmed in the opposite of scarcity and prejudice, which startles the good consciences and warned of unrest that close, which supports the nightmare of violence or attempts to escape the weight of murder as a tragedy often without deny the reality that fosters the tone of their stories. The director

interested in renewing their findings of a festival prize is a consecration transient. A challenging strategy to position itself on the map and realize that not everything has been in vain. Useful to get producers to sell the movie or just show and hear the trial of a viewer beyond the local references includes a history and welcomes or rejects. The film-and by extension the art interested in reinventing himself has defined the time course when memory supports a movie with the same enthusiasm that inspired its release.

Concern about the number of spectators at the box office, by the anguish of the Director before the empty theater, is balanced by another uncertainty: the afterlife, in geographical terms there and suggests the possibility of other areas for display. Although the market is fickle. But before the echo of a movie that is born and dies as a news event in Colombia, which requires a formal criticism rather than entertainment, it is preferable to travel to festivals, appearing before a discerning public, before a ruthless jury or in a sample as vast that seduction is difficult but not impossible when the catalog is thick. A certified solution for documentaries such as Bagatelle (Caballero Ramos, 2008), A Paper Tiger (Ospina, 2007) or heart (Garcia, 2006), with good fortune in the festivals of the world by the strength of a genus of skills and findings different those who decide the fate of fiction in Colombia.

Still, developers who gathered at the Guadalajara Film Festival for The Wind Journeys, the question and answer session he had in Toronto The crab roll, the display at the Thessaloniki Olympion Theatre of Blood and rain are eloquent to emphasize the importance of another public hearing before a movie begins to travel back and you can check and the material of your dreams. +++++

· * MORE ABOUT "THE CRAB ROLL"
http://agenda.universia.net.co/otras/2009/10/29/proyeccion-especial-del-trailer -of-the-tip-of-crab-in-the-festival-de-cinema-de-cali
http://www.ficv.cl/f16/index.php?option=com_jmovies&Itemid=99&task=detail&id=1&lang=es Video
relative. "Brain" Monologue. Http://www.youtube.com/watch?v=uHZnpxnr66A
Locarno Promo-Reel, http://www.contraviafilms.com/videos/vuelco_del_cangrejo.htm
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http:// tiff.net / filmsandschedules / films / crabtrap
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Those wishing more information on The Twist Crab Gerylee Polanco can communicate with the cellular 316 536 0255 or your director Oscar Ruiz Navia at 311 372 7657. Similarly, can write emails and contraviafilms@gmail.com jaime@blackvelvetlab.com or visit the virtual pages and http://www.contraviafilms.com/ http://www.elvuelcodelcangrejo.com/ . Fernando Pérez.
http://www.festivaldecinecali.gov.co/index.php?option=com_content&view=article&id=405:se-estreno-el-trailer-de-la-pelicula-calena-el-vuelco- the-crab-& catid = 36: news & Itemid = 80
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